| Broj rada | 6 | ||
| Engleski | Naslov rada | MARBLE CLADDING IN THE INTERIORS OF ADOLF LOOS | |
| Autor | NERMINA MUJEZINOVIĆ | ||
| Institucija | THE FACULTY OF TECHNICAL STUDIES, UNIVERSITY OF TRAVNIK, TRAVNIK, BOSNIA AND HERZEGOVINA | ||
| Sažetak (Abstact) | Adolf Loos (1870-1933) was a journalist, critic, architect and interior designer. Today, students of architecture learn their first lessons on modernism from his white, smooth facades without ornaments. Loos’s rejection of the artificial ornament, his harsh criticism of historicist architecture, reviews of the Secession decoration and the Gesamtkunstwerk, his essay Ornament and Crime and the development of the spatial plan known as Raumplan, are most often analyzed and cited in the context of Adolf Loos’s contribution and his place in the theory and history of architecture. However, it is equally interesting to discuss Loos’s perception and use of materials. His facades are deprived of ornaments, and buildings, shaped like simple compositions, are mostly of white cubic volumes. However, his interiors – whether in adapted and renovated venues or in new buildings – fascinate with a wide range of luxurious materials used to maximize their intrinsic, textural and colorful features. Adolf Loos’s approach to using material and his understanding of the “truth to materials” principle expressed in his texts and projects, had, in addition to other aspects of his work, influenced the development of modern 20th century architecture. | ||
| Ključne riječi (Keywords) | Stone, interior, cladding, material, design. | ||
| BHS | Naslov rada | MERMERNA OBLOGA U ENTERIJERIMA ADOLFA LOOSA | |
| Autor | NERMINA MUJEZINOVIĆ | ||
| Institucija | Fakultet za tehničke studije, Univerzitet u Travniku, Bosna i Hercegovina | ||
| Sažetak (Abstact) | Adolf Loos (1870-1933), bio je novinar i kritičar, arhitekt i dizajner interijera. Na njegovim bijelim, glatkim fasadama bez dekoracije, studenti arhitekture i danas uče svoje prve lekcije o pojavi modernizma. Odbacivanje artificijelnog ornamenta, oštra kritika arhitekture historicizma, osvrti na secesijsku dekoraciju i Gesamtkunstwerk, rukopis Ornament i zločin, te, razvoj prostorne dispozicije poznate kao Raumplan, najčešće su analizirani i spominjani u kontekstu doprinosa Adolfa Loosa i njegovog mjesta u teoriji i historiji arhitekture. Jednako je, međutim, zanimljivo rasvijetliti i način na koji Loos vidi i upotrebljava materijal. Njegove fasade lišene su ukrasa, a zgrade, oblikovane kao jednostavne kompozicije, najčešće bijelih kubičnih volumena. Međutim, enterijeri – bilo da se radi o adaptaciji i opremanju postojećih prostora ili o kompletnim projektima novih objekata, fasciniraju primjenom široke palete luksuznih materijala, znalački obrađenih i ugrađenih tako da u najvećoj mjeri oslobađaju svoje intrinzične, teksturalne i kolorističke kvalitete. Pristup Adolfa Loosa upotrebi i tretmanu materijala i shvaćanje načela „truth to materials“ koje iskazuje u svojim tekstovima i projektima, su, pored drugih značajnih aspekata njegovog rada, također uticali na razvoj moderne arhitekture XX stoljeća. | ||
| Ključne riječi (Keywords) | Kamen, enterijer, kamena obloga, materijal, design. | ||
MARBLE CLADDING IN THE INTERIORS OF ADOLF LOOS
